In his 30th season as Artistic Director and Conductor of the Dallas Winds, Jerry Junkin is recognized as one of the world’s most highly regarded wind conductors. He has served as Music Director and Conductor of the Hong Kong Wind Philharmonia since 2003, and Principal Guest Conductor of the Senzoku Gakuen College of Music Wind Symphony in Tokyo since 2007. Additionally, 2021-2022 marks his 34th year on the faculty of The University of Texas at Austin, where he holds the Vincent R. and Jane D. DiNino Chair for the Director of Bands. There, he also holds the title of University Distinguished Teaching Professor. Previously, he served on the faculties of both the University of Michigan and the University of South Florida. In addition to his responsibilities as Professor of Music and Conductor of the Texas Wind Ensemble, he serves as Head of the Division of Conducting and Ensembles and teaches courses in conducting and wind band literature. He is a recipient of multiple teaching awards, and students of Mr. Junkin hold major positions throughout the world.

Performances under the direction of Mr. Junkin have won the praise of such notable musicians as John Corigliano, David Del Tredici, Gunther Schuller, Karel Husa, William Kraft, Jacob Druckman and Michael Colgrass, among many others. Mr. Junkin has released over 30 compact disc recordings for the Reference, Klavier and Naxos labels. The New York Times named his release on the Reference Recordings label, Bells for Stokowski, one of the best classical CD’s of the year. His performance of Circus Maximus with The University of Texas Wind Ensemble was released on the world’s first Blu Ray audio disc in 5.1 surround sound by Naxos and was nominated for a GRAMMY. During the summer of 2014, he led The University of Texas Wind Ensemble on a four week tour around the world.

Mr. Junkin is an enthusiastic advocate of public school music education, having conducted All-State bands and festivals in forty-eight states and on five continents. He spends his summers in residence at the Interlochen Arts Camp in Michigan, as well as appearing at major music festivals throughout the world.

Mr. Junkin has served as President of the Big XII Band Director’s Association and is a member of the Board of Directors of The John Philip Sousa Foundation, is Past-President of the American Bandmasters Association, and is Past President of the College Band Directors National Association. Regularly making guest appearances with ensembles such as the Tokyo Kosei Wind Orchestra and the Taipei Symphonic Winds, he continues to conduct throughout the United States in addition to multiple appearances in Japan, China, and Europe. In 2005, he was presented the Grainger Medallion by the International Percy Grainger Society in recognition of his championing of Grainger’s works, and he has received numerous career awards from Kappa Kappa Psi, Phi Beta Mu, and the Midwest Clinic, among others. Mr. Junkin is a Yamaha Master Educator.

Soprano chair of the renowned PRISM Quartet and one of the world’s most celebrated classical saxophonists, TIMOTHY McALLISTER has been hailed as “a virtuoso” (The New York Times), an “exemplary soloist” (Gramophone Magazine), and “a titan of contemporary music and the instrument, in general” (The Cleveland Plain Dealer). Since his concerto debut at age sixteen with the Houston Civic Symphony, his career has taken him to over 20 countries, with solo performances in many of the world’s most prestigious venues including Prince Royal Albert Hall in London, the Sydney Opera House, Carnegie Hall and Amsterdam’s Concertgebouw. Mark Stryker of the Detroit Free Press recognized his over 50 albums as the top classical saxophone recordings in the industry, and he has been featured on three GRAMMY-winning albums.

McAllister has premiered over 250 new works by today’s most eminent and emerging composers. In October 2009, he appeared as saxophonist with the Los Angeles Philharmonic for Gustavo Dudamel’s Inaugural Gala concert performing the World Premiere of Pulitzer Prize and GRAMMY Award-winning composer John Adams’ major work, City Noir (released on DVD by Deutsche Grammophon), and performed the work with the orchestra throughout its 2010 U.S. Tour, culminating in an appearance in New York City’s Lincoln Center. In March 2015, he reprised his City Noir role with the LAPhil and Dudamel for an acclaimed Asian Tour, including concerts in Hong Kong, Beijing, Seoul and Tokyo. He reunited with Dudamel in June 2017 for a performance of the work with the legendary Berlin Philharmonic, which currently appears on the orchestra’s acclaimed Digital Concert Hall and was recorded for the 2019 GRAMMY-Nominated “John Adams Edition” Anthology. MORE >>>

Since 1986 Boston Brass has set out to establish a one-of-a-kind musical experience, featuring colorful classical arrangements, burning jazz standards, and the best of original brass repertoire. Boston Brass treats audiences to a unique brand of musical entertainment that bridges the ocean of classical formality to delight regular concertgoers and newcomers alike with great music and boisterous fun. The quintet has played to audiences in all 50 U.S. states, and over 30 countries. Though the band regularly concertizes as a quintet, Boston Brass also  performs with orchestras, concert and marching bands, organists, and jazz bands, and regularly collaborates with composers to create new works for the brass canon.

Music education is at the core of Boston Brass’s identity, and the quintet continues to conduct sessions around the world, including masterclasses and residencies at such prestigious institutions as the Eastman School of Music, The Juilliard School, the Royal Academy of Music in London, and Yong Siew Toh Conservatory in Singapore. In conjunction with the Yamaha Corporation, the quintet engaged in a 2018 tour of major Chinese music conservatories, and in 2021 the members of Boston Brass were appointed to the International Artist Advisory Council to the College of Music at Mahidol University in Thailand. The Boston Brass have been featured as educators and performers at the Midwest Band and Orchestra Clinic, World Association for Symphonic Bands and Ensembles, the American Bandmaster Association Conference, American Band College, Western International Band Clinic, and at innumerable state music education conferences. After a long hiatus, 2022 finally saw the return of the Boston Brass Summer Intensive in its new home at North Dakota State University’s Challey School of Music.